![]() ![]() 2r where Homily 40 on Genesis commences is an ornamental penwork band in red ink, with the width of the column (15 x 75 mm) consisting of running leafy acanthus scrollwork which forms within the running patterns three palmettes shapes, all within double ruled frame with corner trefoil finials. ![]() 1v at the point in the text to which the reference is made is an outlined penwork initial "A" in red ink with knotted stems and leaf arm in the middle margin. There are very few uncial letters and none are enlarged abnormally. The letters slant slightly in the direction of the line of writing with no spacing between words. Script: Written in a very regular roundish, smooth flowing hand, letters mostly connected, except where an omicron appears in either the medial or initial position pendant in brown ink with a rather wide reed pen. Layout: Written in 2 columns of 33 lines 33 lines ruled with a dry point on the hair side across the full width of the leaf pricking marks are not visible. Rubenstein Rare Book & Manuscript Library, Duke University) Format: Manuscript leaves. View Full Item at Duke University Librariesįorms part of the Kenneth Willis Clark Collection of Greek Manuscripts (David M. ![]() Discourse on logic the introduction refers to Aristotle's Posterior Analytics. Title cataloged from existing description. Origin: Venice, Italy? Several other manuscripts written by Damianos Gidotes are known, all from the library of San Francesco della Vigna. Written in a minuscule with uncial initials, occasionally ornamented. ![]() Script: Written in two hands in various shades of black ink, the scribes alternating throughout the entire text. Layout: Written in 1 column of 29-31 lines unruled. Duke Greek MS 30, Organon of Aristotle, also by the scribe Damianos Gidotes and his unidentified scribe. Written by Damianos Gidotes and his unidentified scribe. Rubenstein Rare Book & Manuscript Library, Duke University) Format: Manuscript codex. Forms part of the Kenneth Willis Clark Collection of Greek Manuscripts (David M. ![]()
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